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As we enter the second year of the pandemic—and that must be as awful to read as it was to write—plenty of us are still being challenged to think (and do) anew. Parisian designer Boramy Viguier—whose work mixes up medievalism, mysticism, and modernism into a strange otherworldliness (that’s totally a compliment, BTW)—is proof of this never-knew-you-could-till-you-had-to approach.The new approach, in his case, is filmmaking; in the last six months, Viguier has made two. His first, late last year, was presented as part of GucciFest. His second will showcase his fall 2021 collection, with Viguier codirecting alongside Samuel Rixon. Compare this to the fact that, in the relatively short life span of his label, he’s done one live runway show. Given his enthusiasm for the filmic genre, maybe that show will have been his first and last. I mean, and this is as good a place to mention it as any, Viguier’s penchant for moviemaking doesn’t just extend to his own collections. He’d love to costume design something by his favorite director, Paul Thomas Anderson. I will, as they say, just leave that there.
To change the feeling demanded changing the garments. Shirts were elongated into dresses, jacket skirts and hoody hems lengthened, pant waists raised, shorts widened. Van Noten said these alterations and others in the exterior of his garments were made hand-in-hand with upgrades under the bonnet, “so it’s a pity that we don’t have the possibility of being able to touch them.” As an example he said a lot of the jackets were made in the lightest possible wool, which was lightly padded to give the appearance of structure alongside the feel of looseness and release. Similarly, T-shirts were fashioned in two layers between which delicate bolstering was inserted to create a crisp appearance while feeling slouchy. Ultra-light duchesse cotton was imported from womenswear as a suiting material: “When you touch it it is quite chewy—quite like leather.”There was pattern here, but of a type in sync with the thesis of the whole. Motifs used traditionally for ties were adapted, distorted, and upgraded for a new life across the collection. Especially attractive was a riotous botanical on a slim-fitting souvenir-style jacket above some double-dyed denim jeans and a pair of the slouchy, puffy, elastic-backed moccasins that were elsewhere topped with gaiter-like leg warmers. One point of connection across the collection were the gleaming metal rings used to secure belts, knits, and bags. This was a collection built to look sharp but feel soft—a fruitful reexamination of the essence of “essentials.”
But back to fall 2021, which is called—as is the film that it features in—Resurrection. How’s that for a title rich in symbolism? Resurrection is a dark fable populated with knights, priests, the hoi polloi of a fantasy royal court, and one very Joan of Arc–like heroine (played by French rapper Mona Guba) in all sorts of finery. Finery, incidentally, which is the perfect encapsulation of the more dressed-up approach that menswear seems to be steadily heading in (and which Viguier has proved to be a pretty adept advocate of for several seasons now). For Viguier that means a new idea of a suit, with long lean jackets in jewel-toned velvet or midbrown English gabardine, worn with narrow trousers. By contrast, there are other coats whose ballooning cocoon shapes have a whiff of Cristóbal B about them. His ecclesiastical, clerical tailoring and dog-collar tunic-y tops, meanwhile, come printed with a clash of religious imagery and arcane tarot illustrations.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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