The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing.
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During a gimbal-free, handheld phone transmitted preview, Nichanian referred repeatedly to “télescopage”—which means collision, buffering and merging—as a central tenet of both a presentation and collection that was conceived as an adaptation to our currently diminished, but arguably intensified fields of vision and experience, “inside, outside and silicon.”A lovely detail both functional and decorative that exemplified this was the overlapping “twist” pockets on parkas, half-zips and jackets whose clashing contours were traced in saddlery stitching usually used on Hermès leather wares. Panning out, the divisions between private and professional were buffered and softened by the combination of irreverently cut, delicately volumized and slouchy-panted suiting to complement elevated workwear-derived pieces including vivid checked leather-tagged half-zips and twist pocket work shirts. Zestily colored sneakers—the tones specified were “cumin, glycin, H red, and frost blue”—played punchy foundation to lambskin track pants and cardigans. Joggers were sometimes traced with side-stripes to contrast with similarly piped blouson jackets and the stripes in blur-bordered mohair knitwear. The appropriately named print of the season was Drive Me Crazy, which unravelled on silks and cotton. Garment linings came in vivid contrasts of pattern and color, a further thoughtfully optimistic “télescopage.” Like all collections watched in person and packed with pieces you’d like to get to know better, this Hermès digital show left you both excited by what you’d spotted and frustrated not to have taken absolutely everything in.
Seen everything half-decent on Netflix, Disney+, Hulu and Amazon Prime combined? Then enjoy a few minutes of relief by taking in the excellent second Spencer Phipps digital presentation. Shot on the Skaftafellsjökull glacier in Iceland and starring the super-fit pogonophile designer, the video is basically a trailer for a movie he hasn’t made yet that co-stars the collection. Paging the Netflix commissioning team: that movie looks way better than the abysmal Outside The Wire. Lack of a good voiceover artist apart, the trailer/show is excellent, irreverent—and serious too.That was thanks to a seven-section split screen format that allowed you to choose which angle you wished to see in the foreground. Some of the angles were mobile, shot by hand but gimbal-smooth, while others came from cameras set into the square spiral staircase of the Mobilier National. This national storehouse of furniture had in recent seasons become Nichanian’s venue of choice, and the action unfolded down the stairs and into the courtyard in which we would otherwise have likely watched the show live.
If you are physically present at a fashion show and watching it with full attention, the view that unfolds is entirely different to that presented in a fashion film. Although you are placed in one position, your eyes are free to roam; taking in full looks, hopping across models in the foreground to focus on something apparently more engaging on models in the background, turning to see the backs of looks, lingering on details in shoes, bags, or hair, glancing at fellow audience-members nudging each other or reading office emails across the row, noting production staff squatting out of sight lines whispering urgently into headsets… Your eyes travel back and forth to create a jagged and episodic narrative of perception that is yours to control. For this Hermès menswear show, Véronique Nichanian had at first hoped to restore that agency by reuniting with a physically present audience. When that proved impossible, she reunited for a second season with the director Cyril Teste to produce a digital show that was the closest thing to attending a real one that I’ve seen so far.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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